Perhaps the highest object of art is to bring into play simultaneously all these repetitions, with their differences in kind and rhythm, their respective displacements and disguises, their divergences and decentrings; to embed them in one another and to envelop one or the other in illusions the 'effect' of which varies in each case.
At the core of my practice is the printing process and material. A simple piece of masking tape on a screen often serves as my starting point — a minimal, generative gesture that unfolds through mechanical repetition. Unlike the seamless, infinite outputs of digital image production, my process insists on the resistance of matter: ink pushed through mesh, altered by pressure, time, and erasure. I hybridise screen printing with traditional painting supports, glazing, offset ink or photo emulsion. Thus, the screen printing table has become my mechanical expressive “brush”.
Princess Dress Dream, 2025
screen print on paper and emulsion, 68,4 x 53,5 cm, glass hoods
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Three Irises, 2025
screen print on paper, munted on alu dibond, 102 x 73 cm
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I Had No Idea You Were So Strong Willed, 2025
screen print on paper mounted on aluminium dibond, 102 x 292 cm
